Ink in his studio, photo courtesy of: Ted Salzman
His birth name is Eric Inkala, but most people refer to him as: Ink. He draws, he sketches, he paints, he shoots and he is currently grindin’ in Brooklyn, NYC. With swift, steady hands combined with meditative mind states, his creations, whether on canvas or on the streets, articulately braid variations of deliberate lines and colors.
As he yanks these elements through their initial two dimensional state, dramaticized characters from alternate portals inevitably emerge. Similar to warped vertical and horizontal stretching which occurs when you look into a mirror at a fun house, Ink successfully produces colorfully, and carefully carved dimensions which oscillate and penetrate in a playful, yet poignant way.
Recently, I received the opportunity to visit Ink’s Bushwick based studio which overlooks a fantastic view of the dichotomous counterpart to Brooklyn’s raging art scene: Manhattan. While we smoked cigarettes, embracing the view of the other world which so many emerging NYC’s artist are both enraged with and inspired by, we chatted about his recent pop- up summer show at Gallery Poulsen (based in Copenhagen) and his next moves towards becoming better known in his own country, specifically in the city of NYC.
1. If you were not an artist what would you be instead?
2. You hailed to NYC from Minnesota in 2009. What ignited the move, and what can you reveal is the most frustrating and inspiring thing about being an artist living and working NYC?
Rooftop view from Ink’s Bushwick studio
3. It is fascinating that you are actually colorblind! How does this affect which colors you choose to work with?
It affects my color choices alot, I use very bright and contrasted colors because of it. If I was to attempt to paint a portrait it would be nearly impossible for me to translate the color properly. On a couple occasions I have painted out an entire piece because I couldn’t process the colors that I chose.
4. If you could title your process like an author would a book, what would it be called?
The Adventures of Rick Dikala
Untitled, Acrylic on canvas, 2012
5. How did your most recent pop up show at Gallery Poulsen rise to fruition?
I was introduced to Gallery Poulsen through a good friend of mine Isaac Arvold. He had the opportunity to invite one person as a guest to the 10 year anniversary show and chose me. I ended up selling my piece and had a studio visit with Morten who owns the gallery a couple of weeks later and he loved my work. He told me he wanted to take everything I had done and to finish all of the stuff that I was working on in three months to crate and ship. I think it was 24 paintings total, cleared out my entire studio. It was a crazy couple of months.
6. In an artistically inclined city like NYC, artists, creators and entertainers are constantly working, and some probably have two or more jobs to help pay the bills. What do you like to do when you are NOT in the studio?
Catch up with friends, drink whiskey, ride my bike. Walk around the city and take photos, explore abandoned freight lines. Drink more whiskey, check up on artist friends process at their studios.
7. Haha, so pretty much you are always working?
Untitled, Spray Paint, Photo courtesy of: Ted Salzman
8. Best show you have seen in Manhattan recently?
9. Best show you have seen in Bushwick?
Honestly I haven’t seen a show in Bushwick in a while, I don’t get out of my studio much. Do studio visits count? Haha, went to Aaron Johnson’s studio a couple months back, his work is amazing and very inspiring.
10. Most inspiring artist/creator you have ever collaborated with?
I would say just being connected to Gallery Poulsen, which is funny in a way. I had to fly across the globe to meet a handful of amazing artist’s that live in the same city as me. Artists like Tom Sanford, Jean Pierre Roy, Barnaby Whitfield, Christian Rex Van-Minnen, Eric White and Alfred Steiner. All extremely talented artists and have been very inspirational to me.
11. If you had $49,000 to buy art from an emerging artist who would you buy from?
Downtown Train, Acrylic on panel, 2014
12.The most interesting comment you have heard about your work?
13. Where would you love to see your work hanging next? And how BIG!?
I don’t know if I want to go into specific galleries but I am currently looking for New York representation. Also I really want to get back into painting murals, I have kinda neglected that part of my artistic side since I have lived in New York because I have been strictly concentrating on my studio work.
Series of works in studio, Acrylic on panels, 2014
14. Any artist (dead or alive), any bar and any drink: Who would you choose and what would you do?
15. Final Question: How do you stay on top of the most current art news/openings?
I have a couple of galleries I frequent because of their roster of artists. I wouldn’t say I am the best at keeping up on openings as I am a very busy dude and am usually grindin’ in the studio. Although when I do go to openings Artcards is pretty awesome for seeing what other openings are going on in any particular neighborhood.
Untitled, Acrylic on panel, 2014
Check this wicked video featuring the works of Ink and Isaac Arvold for their past show @The Beloved in Brooklyn.
Video production courtesy of: Joseph Huba
All images courtesy of: The Artist
To see more of Ink’s work visit: ericink.com